Stratigraphic studies

Stratigraphic studies is one of the standard examination methods that provides very precise information about the complexity of paint layers that make up a painting or decorative finish. It is the key method to assess the extent and condition of different painting layers. Stratigraphic studies can reveal the way the paint layers are applied and consequently, they tell us how the artist worked. Tiny samples of paint are taken from discrete and representative areas and mounted in clear resin. Such prepared samples are observed under a binocular microscope at high magnification between 50x and 200x depending on the thickness of the examined layer. 

Thorough observation of the various layers enables the conservator to determine the history of the object and whether interventions have occurred by inspecting layers of dirt, varnish and paint. Additionally the media analysis can be carried out on the cross-sections which provide important information about an artist’s technique, and helps to determine the most appropriate conservation treatments to use.  A technique of staining of cross-sections can detect the presence of certain materials in the various painting layers such as lipids (suggesting an oil-containing medium), or proteins (signifying a gum-, casein- or animal glue-based medium).

The information revealed using the stratigraphic analysis can be recorded using microphotography and then compared with UV, IR and X-ray examination, consequently providing reliable information on the object’s history and artist’s technique. 

Cross-section from the wooden altar. The photomicrograph shows a number of different paint layers which determine the subsequent renovations.Photomicrograph of cross-section in reflected light (magnification 100x). This minute sample was taken from decoration of the frame and shows that original gilding was overpainted.Cross-section from the wooden altar. The photomicrograph shows a number of different paint layers which determine the subsequent renovations.Photomicrograph of cross-section of frame finish in reflected light (magnification 100x). This sample was taken from the top edge of the frame. The sample shows that the frame was renovated on two occasions.Photomicrograph of cross-section in reflected light (magnification 100x). This sample was taken from the painting layer and shows the ground layer on the bottom, brown paint in the centre and thin, clear layer of varnish on the top.Cross-section from the wooden altar. The photomicrograph shows a number of different paint layers which determine the subsequent renovations.Cross-section from the wooden altar. The photomicrograph shows a number of different paint layers which determine the subsequent renovations.